The songs of the temple shall be howlings - Literally, “shall howl.” It shall be, as when mirthful music is suddenly broken in upon, and, through the sudden agony of the singer, ends in a shriek or yell of misery. When sounds of joy are turned into wailing, all must be complete sorrow. They are not hushed only, but are turned into their opposite. Since Amos is speaking to, and of, Israel, “the temple” is, doubtless, here the great idol-temple at Bethel, and “the songs” were the choral music, with which they counterfeited the temple-music, as arranged by David, praising (they could not make up their minds which,) Nature or “the God of nature,” but, in truth, worshiping the creature. The temple was often strongly built and on a height, and, whether from a vague hope of help from God, (as in the siege of Jerusalem by the Romans,) or from some human trust, that the temple might be respected, or from confidence in its strength, or from all together, was the last refuge of the all-but-captive people. Their last retreat was often the scene of the last reeling strife, the battle-cry of the assailants, the shrieks of the defenseless, the groans of the wounded, the agonized cry of unyielding despair. Some such scene the prophet probably had before his mind’s eye, for he adds;
There shall be “many dead bodies,” literally, “Many the corpse in every place.” He sees it, not as future, but before him. The whole city, now so thronged with life, “the oppressor’s wrong, the proud man’s contumely,” lies before him as one scene of death; every place thronged with corpses; none exempt; at home, abroad, or, which he had just spoken of, the temple; no time, no place for honorable burial. “They,” literally, “he casts forth, hush!” Each casts forth those dear to him, as “dung on the face of the earth” (Jeremiah 8:2, etc.). Grief is too strong for words. Living and dead are hushed as the grave. “Large cities are large solitudes,” for want of mutual love; in God’s retribution, all their din and hum becomes anew a solitude.