XVI.
THE SON OF THE BONDWOMAN.
(1) Now Sarai. — The history of Abram is given in a succession of brief narratives, written possibly by the patriarch himself; and though papyrus was known at Ur (Trans. Soc. Bibl. Arch., i. 343, ii. 430), yet the absence of any convenient writing material for ordinary use would oblige men in those ancient days to content themselves with short inscriptions, like those tablets of clay brought from Ur, many of which now in the British. Museum are said to be considerably older than the time of Abram. The narrator would naturally make but few alterations in such precious-documents, and hence a certain amount of recapitulation, like that which we find in the Books of Samuel, where again we have not a narrative from one pen, but the arrangement of materials already ancient. As, however, the Divine object was the revealing to mankind of the way by which God would raise up man from the fall, the narrator would be guided by inspiration in his choice of materials, and in the omission of such things as did not fall in with this purpose; and the evident reverence with which he deals with these records is a warrant to us of their genuineness. Such additions as the remark that the “Valley of Shaveh” was many centuries later called “the King’s Dale” (Genesis 14:17; 2 Samuel 18:18) are generally acknowledged to have been the work of Ezra and the men of the Great Synagogue, after the return from the exile.
Hagar. — As this word apparently comes from the Arabic verb to flee, it cannot have been her original name, unless we suppose that she really was an Arab fugitive who had taken refuge in Egypt. More probably she was an Egyptian woman who had escaped to Abram when he was in the Negeb, and had then received this appellation, which virtually means run-away.