VI.
(1-3) Whither is thy beloved gone... By a playful turn the poet heightens the description of the lover’s beauty by the impression supposed to be produced on the imaginary bystanders to whom the picture has been exhibited. They express a desire to share the pleasures of his company with the heroine, but she, under the figure before employed (Song of Solomon 4:12-16), declares that his affections are solely hers, and that, so far from being at their disposal, he is even now hastening to complete his and her happiness in their union. Difficulties crowd on the dramatic theory at this passage. Most of its advocates have recourse to some arbitrary insertion, such as, “here the lovers are re-united,” but they do not tell us how the distance from the harem at Jerusalem to the garden in the north was traversed, or the obstacles to the union surmounted. In the imagination of the poet all was easy and natural.