Heading.
‘For the Chief Musician, on a stringed instrument. A Psalm of David.'
This Psalm is also dedicated to the Chief Musician and is to be accompanied by a stringed instrument. It is a Psalm of David. If David, rather than a member of the Davidic house, was its author it was quite possibly written during his period of exile east of Jordan after fleeing from Absalom (2 Samuel 15:13 ff.). In later days, after the end of the monarchy and the Exile, it began to be given a Messianic interpretation as witnessed by the Targums.
Separated From The Visible Means of Worshipping God David Seeks His Refuge In The God Of The Tabernacle In His Invisible Tabernacle (Psalms 61:1-4).
Crying out to God from wherever he is, (many see it as in the wilderness of Mahanaim, east of Jordan, where he was hiding from Absalom), David declares his trust in God as his Rock, his Refuge, his Fortress and his Tabernacle. When the earthly Tabernacle is no longer available to him, he knows that he can approach God in His heavenly Tabernacle, where he can take refuge under the shadow of His wings.
‘Hear my cry, O God,
Attend to my prayer.'
‘From the end of the earth will I call to you,
When my heart is overwhelmed,
Lead me to the rock that is higher than I.'
David cries to God to hear his prayer as he sees himself as at ‘the end of the earth (or ‘the land')', that is as being as far from the Tabernacle where he would usually pray as he could be, for he knows that wherever he is, God is there. And his cry is that when his heart is overwhelmed God will lead him to the Rock that is higher than he is, in other words to God Himself as his Rock. For on that Rock he knows that he will be totally secure. No one knew better than David, from his life of refuge in the wilderness as he hid from Saul, the security provided by rocks on high mountains.
‘For you have been a refuge for me,
A strong tower from the enemy.'
He bases his appeal on what God has proved to be to him in the past. God has been his Refuge and his Fortress from the enemy. Notice the continuing figurative descriptions. This suggests that the descriptions which follow are also figurative. His point is that he has continually looked to God to be his Protector, and that God has never failed. He has been to him like a Refuge and a Fortress, somewhere where he can be secure. That was why he had survived all his trials. In the words of Proverbs 18:10. ‘The name of YHWH is a strong tower. The righteous run into it and are safe.'
‘I will dwell (sojourn) in your tabernacle for ever,
I will take refuge in the covert of your wings. [Selah.
In view of the fact that the Rock, the Refuge and the Fortress have all figuratively described his security in God's hands there seems little reason for not seeing this Tabernacle as being figurative as well. Man may have cut him off from the earthly Tabernacle, but, (utilising in our interpretation the words of the later writer of the letter to the Hebrews), he considers that he has ‘a Tabernacle not made with hands eternal in the heavens'. In that Tabernacle he knows that he can dwell with God for ever, and take refuge under the shelter of His wings. The latter picture is of young birds finding shelter under the wings of their mother. We too, as Christians, can enter into that heavenly Tabernacle through the blood of Jesus (Hebrews 10:19).
Some, however, see it as indicating his desire to once again be able to enter the earthly Tabernacle, and his confidence that one day he will do so (compare Psalms 65:4 which may be seen as supporting this). Either way it is in God Himself that he will find security, not the Tabernacle. ‘Selah.' Once again the music draws attention to these words.
‘I will sojourn in your Tabernacle.' He is not there as its owner with full rights, but ever as a sojourner, as God's guest, sojourning there and confident that God will extend to him all the hospitality expected from a host by his guest.