Which is. — Better, and he is. The suddenness of the Oriental sunrise is finely caught in the image of the uplifted tent-curtain and appearance of the radiant hero (“strong man;” Heb., gibbor. Comp. Judges 5:31). This want of twilight, this absence of silent preparation for the supreme moment, distinguishes Eastern songs of sunrise from the poetry of the West. There are no musterings of “mute companies of changeful clouds,” no “avant couriers of the light,” no “grey lines fretting the clouds as messengers of day.” Unheralded, unannounced, the sun leaps forth in all his splendour — a young bridegroom with the joy of the wedding-day still on his countenance, a hero leaping forth on his path of conquest and glory. How different the suggested feeling of this from the wistful tenderness of Milton’s dawn coming forth “with pilgrim steps in amice grey;” or Shakespeare’s “morn in russet clad,” that “walks o’er the dew” of the high eastern hill.
Chamber. — Heb., chuphah, a marriage chamber or bed (Joel 2:16). In later Hebrew the canopy carried over the wedded pair, or even the marriage itself.
Rejoiceth. — Literally, leaps for joy.
A race. — Better, his race, i.e., his daily course or journey.