The Courtyard of The Tabernacle (Exodus 27:9-19).
Before and around the sanctuary was a large courtyard into which the people themselves could come. They could not enter the sanctuary, only the chosen priests would be able to do that, but they (usually the heads of households except where individual offerings were to be offered) could come before it with their offerings and their prayers knowing that He was there to hear. And here they could offer their worship and their thanksgiving to God.
But it must be appreciated that many would not even enter this court except through their representatives, the fathers of their houses. It was a sacred place and not to be entered lightly. To the vast majority of Israel the area around the courtyard would be the place where they came to meet with Yahweh. This may well be why in Deuteronomy, when speaking to the people as a whole, Moses spoke of ‘the place' (maqom) which Yahweh had chosen which incorporated the whole. They were not, however forbidden entry when it was necessary, especially for judgment before the door of the Tent (e.g. Numbers 5:16; Numbers 5:18; Numbers 5:25).
We may analyse this passage as follows:
a They were to make the court of the Dwellingplace, and along the south side were to be hangings of fine twined linen one hundred cubits long suspended on twenty pillars seated in twenty sockets of brazen copper. The hooks and connecting rods were to be made of silver (Exodus 27:9-10).
b Along the north side were to be hangings of fine twined linen one hundred cubits long suspended on twenty pillars seated in twenty sockets of brazen copper. The hooks and connecting rods were to be made of silver (Exodus 27:11).
c Along the west side (the rear) there were to be hangings stretching for fifty cubits, with ten pillars and sockets (Exodus 27:12).
d Along the breadth of the court on the East side was to be fifty cubits, but as the entrance had to be there the hangings each side of the entrance on each side were to be fifteen cubits, leaving a gap of twenty cubits for the entrance. Each fifteen cubit hanging would be supported on three pillars and three sockets. (Exodus 27:13-15)
d For the entrance of the court there was to be a screen of twenty cubits, of blue and purple and scarlet, and fine twined linen, the work of the embroiderer, with four pillars and four sockets (Exodus 27:16).
c All the pillars of the court round about were to be filleted with silver (or ‘joined by silver rods'), their hooks of silver and their sockets of brazen copper (Exodus 27:17).
b The length of the court was to be one hundred cubits and the breadth fifty everywhere, and the height five cubits, of fine twined linen, with sockets of brazen copper (Exodus 27:18).
a All the instruments of the Dwellingplace in all its service, and all its pegs and all the pegs of the court were to be of brazen copper (Exodus 27:19).
The patterning must have been difficult in this particular case and yet it was to some extent achieved. In ‘a' the making of the courtyard of the Dwellingplace is called for and the length of the south side of it described, while in the parallel the instruments to be used in that courtyard are to be of brazen copper. In ‘b' the north side is one hundred cubits and in the parallel the court is to be one hundred cubits. In ‘c' the west side (the rear) is to have hangings stretching for fifty cubits, with ten pillars and sockets, while in the parallel the pillars were to be connected with silver rods and to have silver hooks and sockets of brazen copper. In ‘d' we have the hangings on each side of the entrance, and in the parallel details about the entrance.
“And you shall make the court of the Dwellingplace. From the south side southwards (or ‘on the south side on the right') there shall be hangings for the court of fine twined linen, a hundred cubits long for one side. And its pillars will be twenty, and their sockets twenty of brazen copper. The hooks of the pillars and their fillets (or connecting rods) will be of silver. And in the same way for the north side in length there will be hangings a hundred cubits long, and its pillars twenty, and their sockets twenty, of brazen copper. The hooks of the pillars and their fillets (or connecting rods) of silver.”
The two sides of the courtyard were to be one hundred cubits in length and to be formed by fine twined linen on twenty pillars whose hooks and fillets were of silver. The fillets may in fact have been connecting rods connecting the pillars and supporting the curtains, although some see them as a band running round the base of the pillars.
The twined linen separated the court from the outside world and may well have depicted the idea of purity and righteousness in contrast with the sinfulness of the outside world. Those who would come before God must do so in purity and righteousness. Leaving their sins behind they must enter to obtain atonement and enjoy time in God's presence. While the pillars could be of brazen copper the actual fittings that held the curtain material must be of silver.
So as we go along we see that gold is used in the sanctuary itself, although silver is used where contact has to be made of the holy with the marginal ground. Silver is also used to connect the holy with what is earthy, such as here, connecting the twined linen with the pillars, and mainly brazen copper for what is outside the sanctuary, again denoting the movement from the most holy to the less holy. The silver hooks on the brazen copper pillars may therefore here depict the linen curtain as being of a holy nature, and therefore not to be treated lightly (but not most holy). But there may also have been another practical purpose in all this. Gold easily available may have been seen by God as too great a temptation to place before men where it could be accessed too easily. They were not likely to enter the sanctuary, but they might well have been prepared to despoil the fencing of the outer court for gold. He knew the hearts of men.
“ Southwards.” Directions were determined by facing the rising of the sun, so the East was before, the West behind, the South to the right and the North to the left (see Job 23:8-9).
“And for the breadth of the court on the west side shall be hangings of fifty cubits. Their pillars ten and their sockets ten. And the breadth of the court on the East side eastwards (or ‘in front') shall be fifty cubits.”
Looking from the front, the courtyard was fifty cubits wide and thus only required half the number of pillars. The court was thus one hundred cubits by fifty cubits, in proper proportion but without the perfection of the perfect square of the Holy of Holies.
“The hangings for the one side shall be fifteen cubits. Their pillars three and their sockets three, and for the other side will be hangings of fifteen cubits. Their pillars three and their sockets three. And for the entrance of the court will be a screen of twenty cubits, of blue and purple and scarlet, and fine twined linen, the work of the embroiderer, their pillar four and their sockets four.”
The entrance to the courtyard was to be on the east side, with the actual entrance twenty cubits wide, with fences of fifteen cubits either side. The entrance curtain was to be multicoloured, and very carefully wrought, in distinction from the fine twined linen of the outer screen, a reminder that they were entering the courtyard of the king.
Here again there are ten (three + four + three) pillars as with the west side. Whether the end pillars of the north and south sides were also utilised for these screens, or doubled up, is an unanswered question.
Various attempts have been made to construct the Tabernacle as described. Some have found difficulty because they have made assumptions that were not stated such as that the pillars were always the same distance apart, or that the entrance screen was necessarily continuous with the other screens on the eastern side, rather than set in a little in order to provide entrances at the side of the entrance screen. Others have been more successful. But all we can say is that this is how it might have been, not that this is how it was. Anyone who has tried to construct something by use of only written guidance will know how difficult it often is to know exactly what was meant. Fortunately Moses had been shown the pattern on the Mount, and much, such as the shape of the Cherubim, might then have been something that was well known.
“All the pillars of the court round about shall be filleted with silver (or ‘joined by silver rods'), their hooks of silver and their sockets of brazen copper. The length of the court shall be a hundred cubits and the breadth fifty everywhere, and the height five cubits, of fine twined linen, and their sockets of brazen copper.”
The actual size of the court is now stated with the added information that the white linen screen will be five cubits high. It will be noted how all is, where practicable, in multiples of five, the covenant number. This is the Dwellingplace of their covenant God, and entering it they enter, as it were, within the covenant blessing, and sacrifice at the covenant altar.
“All the instruments of the Dwellingplace in all its service, and all its pegs and all the pegs of the court will be brazen copper.”
All that is used in the outer court will be brazen copper. Inferior to the gold of the sanctuary, and indicative of the fact that the courtyard is not most holy, but still valuable as a metal and indicating its genuine holiness. Such would include the laver of brazen copper, the tent pegs, and many other accoutrements. It was a useful and pliable metal.