As many were astonied... — The words point to the correspondence of the supreme exaltation following on the supreme humiliation.
His visage was so marred... — The words conflict strangely with the type of pure and holy beauty with which Christian art has made us familiar as its ideal of the Son of Man. It has to be noted, however, that the earlier forms of that art, prior to the time of Constantine, and, in some cases, later, represented the Christ as worn, emaciated, with hardly any touch of earthly comeliness, and that it is at least possible that the beauty may have been of expression rather than of feature or complexion, and that men have said of Him, as of St. Paul, that his “bodily presence was weak” (2 Corinthians 10:10).